The small patch of woodland where I usually gather oak galls is known as Hollow Pond, and as the name indicates, there be a pond with a large population of water birds including large geese and swans. In the springtime the banks are strewn with molted feathers, including large remiges, used to make quill pens. I started picking up the biggest and cleanest that I would come upon, without any particular plan, as I didn’t think they could have anything to do with Arabic calligraphy.
But it so happens my friend Allison, a fellow artist, is primarily a Hebrew scribe, and we periodically meet up to exchange on art and nature. I found out that even though Hebrew requires strokes very similar to Kufic (and other Arabic styles), she uses quill pens. While in the Middle-East, the Jewish scribal tradition uses reed pens just like Islamic calligraphy (indeed Islamic scribes adopted the reed from the earlier scribes), the European tradition requires quills for the simple reason that the right reeds don’t grow here. This interesting fact got my attention. Quills can’t achieve the same breadth as reed pens, but they are much sharper, much better for delicate work, and of course they are local and completely eco-friendly.
Long story short, we had a work session where she showed me how to cut quills, after soaking the feathers overnight to soften them.
It took a couple of feathers for me to get the hang of it (happily there’s plenty of room for multiple attempts on any given quill), and mine don’t have the beautiful curves that a practiced hand can cut, but they write just fine!
Here’s my practice sheet (the first Ayin, top left, is Allison’s, the rest are my attempts to emulate it). The ink is actually black but very shiny, so this photo is not showing it well. I am pleased though, and now have a purpose for picking up feathers. It really tickles me to be able to make both ink and writing implement from “waste” picked up in the same place, a short walk from home.