You’ll find here any talks I’ve given that were recorded — about my art practice, Kufi or historical art materials.
2024
Inks & Paints of the Abbasids
November 6 @ Merton College, Oxford: This talk will take us through the pigments and dyes that made up the Islamic scribe’s colour palette. Joumana Medlej will describe their preparation and particularities from a practitioner’s perspective, and share process photos from her re-creation of ink recipes from the tenth to thirteenth centuries, along with insights into inkmaking practices gleaned from these texts.
Art as Knowledge Keeper
May 27 @ Calouste Gulbenkian Museum, Lisbon: A guided tour of some of the artist’s works that are themselves cosmological diagrams, providing insight into the decision-making and techniques that come into play when into translating information, that may be multi-layered, into abstract visuals.
Watch this talk on the conference page, starting around 5:19:00.
2023
Freedom in Restriction: My Journey with Kufi
March 14 @ the Letterform Archive: In this Letterform Lecture, we taste the visual power of a lost calligraphic tradition through one artist’s immersion in the early Arabic scripts broadly labelled as “Kufic.” Joumana Medlej uses examples from her work to illustrate the respective qualities of the two great strands of this family and harnesses its visual language to create compositions made of pure meaning. She shares how her journey towards an authentic understanding of the script revealed that it is defined not by an outside set of formal rules, but by more elusive principles that can only be learned through embodied practice, and in return allow greater creative expression.
(Or, watch it on Vimeo.)
The Art of Letting Go
January 25 @ Stanford Green Library: Joumana Medlej is a visual artist who has returned to natural materials in her work, and is endlessly testing historical and less historical colours. She describes the temperamental nature of pigments and plant dyes favoured in medieval times which—unlike today’s inert synthetic pigments that do nothing they’re not made to do—react, change or fade each in its own way and for its own reasons. She shows how a working relationship with these living materials allows her to recreate the original splendour of now-faded works, but also, to her mind more compellingly, how taking these materials as they are and embracing their idiosyncrasies can allow a new dimension into the creative process. By giving up some control, she makes space for the unknown to turn up in the work and finish it in ways she couldn’t have planned for.
2022
Al-Qalalusi’s Palette
October 5 @ The King’s School of Traditional Arts, London: ‘Treasures of the Select’ by Abu Bakr Muhammad al-Qalalusi is a thirteenth century compendium of recipes and techniques which the author describes as necessary skills for writers and book artists. He ends his comprehensive treatise with a list of twelve core pigments, their substitutes, and further hues that are mixed from them. In this talk punctuated by demonstrations, we will work through this list to learn about the colour technology of the late medieval Islamic tradition and what ‘Treasures’ reveals of their manufacture and usage, recreating on paper al-Qalalusi’s palette.