Wild Inks & Paints: outline & progress

This post is for the backers of my book Wild Inks & Paints to be able to preview the contents and keep track of my progress. (If you’re seeing this but missed the campaign, don’t worry, the book will be available after completion.)

Captions:

πŸ”Ž Still researching/testing

πŸ–‹ Write-up still needs work

πŸ– Needs images

Crossed out: all done!


COVER πŸ–

Intro πŸ–‹

BASICS

  • Equipment πŸ–‹πŸ–
  • Safety πŸ”ŽπŸ–‹πŸ–
  • (Techniques, may not be needed)
  • Definitions: dye/ink vs. pigment/paint, binder vs. medium

Binders:

  • Gum
  • Starch πŸ–
  • Milk πŸ–
  • Egg glair πŸ–‹
  • Egg tempera πŸ–‹

Assistants & modifiers:

  • Metal salts: alum, iron salt, copper salt πŸ–‹πŸ–
  • Acids πŸ–‹
  • Alkalis
  • Other: sugar, preservatives πŸ–‹

Part 1: Plant Colours

  • Foraging ethics πŸ–‹
  • Harvesting advice and storage methods (dry or freeze, and how) πŸ–‹πŸ–
  • Phytochemicals: botanical colour compounds, their properties, how to best extract and work with each category πŸ–‹
  • Extracting dyes: flower (cold/hot), fruit and bark methods πŸ–‹πŸ–
  • Generic recipe to turn a dye into an ink πŸ–‹πŸ–
  • Preserving colours: wet (ink form)πŸ–‹, dry (clothletsπŸ–, inspissationπŸ–‹πŸ–), precipitated πŸ–‹πŸ–(alum and chalk lakes, notes on other methods)

Dye plants:

(No breaks for seasons, instead arrange them in the order in which they appearβ€”we get a rolling visual palette of the seasonsβ€”and break for pantry stuff)

  1. Daffodil [last swatch]
  2. Gorse
  3. Grape hyacinth
  4. Mahonia berry
  5. Yarrow πŸ–‹πŸ–
  6. Camomile (Dyer’s and Roman) πŸ–‹πŸ–
  7. St John’s Wort πŸ”ŽπŸ–‹πŸ–
  8. Tansy
  9. Mullein
  10. Mulberry πŸ–‹
  11. Coreopsis
  12. Lady’s bedstraw
  13. Marigold πŸ”ŽπŸ–‹πŸ–
  14. Heather
  15. Dogwood
  16. Knopper gall
  17. Damson πŸ”ŽπŸ–‹
  18. Goldenrod πŸ”ŽπŸ–‹πŸ–
  19. Elderberry πŸ–‹
  20. Buckthorn πŸ”ŽπŸ–‹
  21. Blackberry (with note on bramble tops) πŸ”ŽπŸ–‹πŸ–
  22. Pokeberry
  23. Chokeberry
  24. Privet πŸ”ŽπŸ–‹
  25. Shaggy ink cap
  26. Horse chestnut πŸ–‹
  27. Hawthorn berry πŸ–‹
  28. Walnut
  29. Acorn top πŸ–‹πŸ–
  30. Oak marbleΒ  πŸ–‹πŸ–
  31. Sloe
  32. Alder cone
  33. Pine cone
  34. Cedar cone
  35. Ivy berry
  36. Avocado (now we’re in pantry territory, order TBD)
  37. Pomegranate skin (and flowers)
  38. Sumac?
  39. Turmeric
  40. Black grape
  41. Onion skin
  42. Saffron
  43. Sage
  44. Hibiscus

Part 2: Pigments

  • Ochres: Types, finding, washing
  • Carbon blacks: Making lamp black, making charcoal black, historical recipes
  • Calcite whites: from chalk, seashells, eggshells

Part 3: Tools & Media

Tools

Quill pen: Hebraic, Arabic and Western methods of making

Bamboo pen

Brush

Paint pans

Media

  • Making watercolour πŸ–‹πŸ–
  • Making gouache πŸ–‹πŸ–
  • Notes/recipes for media I don’t use and can’t judge properly: oil paint πŸ–‹πŸ–, printmaking ink (eg for linocut) πŸ–‹πŸ–, pastel πŸ”ŽπŸ–‹πŸ–
  • Wheat paste πŸ–
  • Impasto medium πŸ–
  • White dough πŸ–

Paper

  • About art paper, issues to plan for πŸ–‹
  • Dyeing paper (after preparing with alum, milk or other) πŸ–‹πŸ–
  • Using reactivity to create patterned paper: iron solution over gall, alkali over yellow, vinegar as discharge agent, pre-drawing with milk or alum coating before dyeing, “ageing” paper πŸ–‹πŸ–
  • Sizing/coating paper: starch, rice water, wheat paste, muqahhar recipes πŸ–‹πŸ–

Appendix:

(can be separated if there’s a lot of material)

  • Cleaning recipes
  • Invisible inks

Sourcing materials

Bibliography

Endnotes (might not need them)

BACK COVER

A collection of verse markers

The following are all the different verse markers found in one 9th-century Qur’an, folios of which are kept in different collections:

The folios can all be seen in one place in this digital musαΈ₯af (more info here). The close-ups below are taken from the BnF and Bodleian folios.

The markers for 1 and 5 verses are consistent throughout, but there is no system for the rest, each of which is unique or very nearly. I like to think someone had a lot of fun making them (although of course they could be the work of several people, each with their own style). From 10 on, the number is spelled out inside the rosetteβ€”hover over the images to see the captions, click for full-size images. Note also the beautiful prostration marker, placed conspicuously well outside the text box.

(With my eternal gratitude to institutions that digitise their manuscripts and make them available in high-res!)